1. INT. LONGHOUSE. NIGHT.

Richard is sitting in his bed.

He is watching Francoise in conversation with Keaty across the other side of the room. During Richards (V.O.) their conversation ends and Keaty walks away, leaving Francoise momentarily alone.

Most of the population is present in the room. Sal is reading.

RICHARD (V.O.)

I would have liked to have continued our discussion, to thrash out the details of our forthcoming affair, but every time I had the chance to catch her alone, something always got in the way.

Francoise is alone now. Richard is about to move across when the center of the room is occupied by commotion.

At the heart of this are Bugs, and an Italian man, Gregorio. Bugs is holding a pair of pliers. Gregorio is in pain.

Richard watches.

BUGS

I can deal with it!

GREGORIO

I don't want you to deal with it.

BUGS

It won't take a minute.

GREGORIO

No! Please, no! I must go to the mainland.

Onlookers join in.

VARIOUS

No way/ You can't go to the mainland/ No, etc.

GREGORIO

Sal!

Sal looks up for the first time.

SAL

Sorry, I wasn't really tuned in. You want to go to the mainland? To see a dentist, is that it?

GREGORIO

Yes.

Sal is casual but firm.

SAL

No. It's out of the question.

She returns to the book.

With help from two or three other people, Bgs drags Gregorio to the floor and rips out the offending tooth with a pair of pliers. Gregorio screams.

RICHARD (V.O.)

I was sort of disturbed by this, but really only by the method, by the way that Bugs handled it. But the guy couldn't leave; I could see that. When you have something secret, everyone's got to take responsibility to keep it that way.

Francoise has gone.

  1. EXT. BEACH. DAY
  2. A tropical lightening storm is in progress.

    At the edge of the beach, Christo, Richard, Sten, and Karl are standing under the ineffectual shelter of a palm tree, ecah holding their spear. A short distance away, under anotehr tree, sit Francoise and Etienne, hand in hand.

    They are all contemplating the sea and the sky. Christo has a swimming mask and a snorkel.

    RICHARD (V.O.)

    In any case, I was more concerned about the Francoise situation. After such a promising start, it just didn't seem to be reaching its natural conclusion. In truth it was beginning to annoy me; I mean what's the use of being in paradise if you can't have whatever you want. Correct me if I'm wrong, but isn't that the whole idea?

    CHRISTO

    The problem is seeing the fish. With the rain and the poor light, they are very difficult to catch. It could last for days. Sometimes when it rains, we get hungry.

    RICHARD

    Hey, Etienne, you going fishing?

    ETIENNE

    I don't know, maybe if -

    RICHARD

    Don’t' worry. You just sit there. I'll go, OK? I'll go. You just sit there.

    He takes the mask and snorkel from Christo and marches down towards the sea.

    ETIENNE

    Good luck

    Richard looks back at them but says nothing. He pulls the mask on and resumes his march into the sea.

  1. EXT. LAGOON. DAY. AND UNDERWATER. DAY.

  2. Richard swims along near the sea-bed past rocks and coral but can see no fish.

    He surfaces and swims further out.

    He hears shouts from the shore. He turns and treads water.

    The shouts from his colleagues are indistinct, carried away by the wind and the rain.

    RICHARD

    (Shouting)

    I can't hear.

    He takes the mask off to clean the lens.

    RICHARD

    (Continuing)

    And you can't hear me.

    He puts the mask back on and turns away from the shore.

    He freezes.

    There is a shark's fin in the water, moving towards him.

    He looks around. The shore seems far away. He starts swimming frantically towards it.

    The shark closes in.

    Richard submerges and turns to face the shark.

    The shark approaches head on. It is about five feet long with the appropriate teeth.

    Richard is terrified, convinced he is about to die.

    The shark swoops towards him at speed.

    It stops, its teeth centimeters from his mask. It pauses then flicks its tail and swims past Richard.

    He is astonished.

    It circles him and approaches again, pausing just in front.

    Tentatively, Richard raises a hand.

    The shark does not react.

    Richard pats it gently on its snout.

    It swims around him again.

    Richard sees small fish swimming around him. He spears one and holds it out on the tip of his spear.

    The shark snatches it off and repeats its circle but does not threaten Richard.

    He smiles.

    As it approaches again, he holds the spear in both hands and lowers it by his side.

    The shark bobs in front of him, curious and friendly.

    Richard's arms begin their forward motion as his V.O. commences.

    RICHARD (V.O.)

    I ducked to one side, then to the other as it passed me. First on my left, then on my right.

  1. INT. LONGHOUSE. NIGHT.

  2. Grilled shark steaks have been passed around and eaten by all while Richard stands and relates his adventure. He cannot resist a glance at Francoise, who listens with rapt attention.

    RICHARD (V.O.)

    But it could see that I was getting tired, so I stood my ground as he swam in for his final attack.

  1. EXT. UNDERWATER. DAY.

  2. Continuing the shark scene.

    The shark is bobbin in front of him, practically wagging its tail.

    Richard is smiling.

    RICHARD (V.O.)

    And at that instant, it was either the shark or me. The shark knew it, I knew it.

    Richard's arms flex. The spear travels up. It stops. Richard grips the spear tightly as it shakes.

    Blood spurts out towards Richards' mask in pulses and the sea turns red around him.

    RICHARD (V.O.)

    Nothing personal, of course. It's the way of nature. But I swear that in the last flicker of its dying eyes there was a moment between us, when it said -

  1. INT. LONGHOUSE. NIGHT.

  2. Richard continues his story.

    RICHARD

    "Hey Richard - enjoy your dinner."

    There are cheers to the end of his story.

    Bugs waits until these die down.

    BUGS

    Strange thing, killing a shark, isn't it?

    RICHARD

    Just a big fish, Bugs.

    BUGS

    Just a big fish? Maybe. Maybe when it's still a baby and it hasn't really learned to kill yet, then maybe it's just a big fish. But when it's a great white angry mother with the taste of human blood on its tongue, well then it's a different story.

    Richard yawns noisily. Some people laugh.

    He notice Bugs scowling at him.

    RICHARD

    Sorry, Bugs. Is it just me or does this wet weather make everybody tired? Maybe we can hear your "very different" and I'm sure "very fascinating" story some other time.

    There is a flurry of exaggerated yawning, sniggering, extinguishing of candles and calls of "goodnight".

    Bugs does not laugh. He stares at Richard.

    Richard is smiling as he extinguishes the final candle.

  1. EXT. BEACH. DAY.
  2. A sunny day. A game of cricket, under the supervision of Keaty, is about to begin.

    KEATY

    Wicketkeeper. First slip. Second slip. Gully. Square leg. Long leg. Silly mid-off. Cover point.

    At low tide, two sets of cricket stumps have been set up on the beach some twenty yards apart. The stumps and bats have been roughly hewn.

    At one end, Sten stands with a bat, ready to defend his stumps. At the other end stands Keaty, who is umpiring. Behind them, the bowler warms up, holding a small rubber ball.

    Among the ten fielders are Etienne and Francoise.

    Richard, the second batsman, walks toward Keaty, practicing with an air of exuberance.

    KEATY

    (Continuing)

    We thank you Lord, for the twin pillars of civilization, Christianity and cricket, even when played by those of another faith., Amen. Ok, right arm over the wicket; first ball.

    The bowler runs up and bowls. Sten hits the ball and it is fielded for no run at leaisurly pace by Etienne. Keaty and Richard watch.

    KEATY

    (Continuing)

    You do realize that killing a defenseless shark won't make any difference.

    RICHARD

    Difference to what?

    KEATY

    You and Francoise, that's what.

    RICHARD

    Sorry Keaty, but I don't know what you're talking about.

    KEATY

    That is why you killed it, isn't it? Ducked one way then the other! All to impress her, I suppose.

    The second ball is bowled and fielded.

    KEATY

    (Continuing)

    But you haven't got a chance in hell. I'm not saying you won't get a quick fumble in her knickers down the back of the longhouse but in the long run.

    Third ball

    RICHARD

    I don't need to discuss this with you.

    KEATY

    No ball!

    RICHARD

    Also, you're wrong.

    Third ball re-bowled and hit well.

    KEATY

    Four runs!

    He turns back to Richard.

    KEATY

    (continuing)

    Richard, you are a novelty act. He is the main attraction.

    RICHARD

    Thank you for your opinion, Father.

    Fourth ball.

    KEATY

    I don't mean to bring you down. I just wouldn't want anyone to get hurt

    RICHARD

    If you don't shut up, you're the one that's going to get hurt.

    Silence

    KEATY

    One other thing.

    RICHARD

    What?

    KEATY

    He's better looking than you.

    RICHARD

    Thanks.

    Fifth ball bowled and hit. The batsmen both run, Richard and Sten exchanging places.

    Richard prepares to face the bowler

    KEATY

    Right arm over the wicket. One ball remaining.

    The ball is bowled. Richard hits it in the air.

    KEATY

    Catch it! Catch it!

    Etienne catches it.

    Keaty signals "out".

    Richard walks away from the wicket, past Keaty and the celebrating fielders, Francoise among them, who have gathered around Etienne.

  1. EXT. BEACH. DAY.
  2. Richard reaches the fringe of the beach where Sal is sitting alone, half watching the game.

    SAL

    Aren't you going to stay and watch the game?

    RICHARD

    No. As a matter of fact, I'm going to go for a long walk.

    SAL

    Don't forget about this evening. You wouldn't want to miss it.

    RICHARD

    Why? What happens this evening? Another obscure English sport with which to humiliate the Americans?

    SAL

    It's the anniversary, Richard.

  1. EXT. CLEARING. NIGHT.
  2. A pair of hands, Sten's, tap loud and fast on a small drum.

    The inhabitants are sitting in a group. They are all holding half coconut shells.

    Sonja walks along with a large clay bottle, filling each shell with a milky liquid.

    Sal is standing up.

    The drumming stops.

    SAL

    To the first six years.

    They all drink.

    Richard cringes at the unpleasant taste.

    Beside him, Etienne proudly gulps down the whole drink.

    Sonja refills the cups, pouring freely.

    SAL

    (continuing)

    And looking forward to the next one.

    They all drink again.

    Once again, Richard sips while Etienne empties his cup.

    RICHARD

    So who was actually the first here?

    SAL

    Well, technically, Daffy was the first person on the island.

    RICHARD

    So why did he leave?

    There is an immediate silence.

    SAL

    What?

    RICHARD

    Why did Daffy leave? What made him unhappy?

    The silence persists.

    RICHARD

    (continuing)

    Sorry. Have I broken a rule?

    SAL

    No, Richard, don't worry. Daffy left because he felt that in coming to paradise we had inevitably destroyed it.

    RICHARD

    Because you built a shelter.

    SAL

    He was a purist.

    MIRJANA

    He was crazy.

    There is a general murmur of agreement.

    RICHARD

    Must have been.

    The atmosphere is still slightly awkward.

    Guitarman breaks the silence by plunging into a rendition of a popular favorite.

    Sonja refills the cups.

    Once again, Etienne tilts back his head and drinks.

  1. INT. LONGHOUSE. NIGHT.
  2. The longhouse is empty. Outside a different, slower tune is being played.

    The door is kicked open.

    Richard struggles in, carrying Etienne draped over his shoulder.

    Francoise follows.

    Richard lets Etienne slide off onto his bed where he lies, inert and comatose.

    FRANCOISE

    Look at him. It's disgraceful to drink so much.

    RICHARD

    I think he just got carried away with the excitement of the occasion.

    FRANCOISE

    Don't make excuses for him. I'm so embarrassed.

    RICHARD (V.O.)

    Now, I thought, this si my moment. It's now or never. Now or never. Now or -

    RICHARD

    Francoise -

    FRANCOISE

    Richard, would you like to go tot the beach with me.

    RICHARD

    Yes!

  1. EXT BEACH. NIGHT.

    Richard and Francoise walk down the shore to the moonlit sea.

    Francoise wades in up to her thighs. Richard follows.

    FRANCOISE

    Do you like it here, Richard?

    RICHARD

    I love this island.

    FRANCOISE

    Do you think about home?

    RICHARD

    No.

    FRANCOISE

    Nor do I. Do you think that I ignore you?

    RICHARD

    Me? No.

    FRANCOISE

    It's because I am with Etienne. It's difficult to spend time with you.

    RICHARD

    I don't suppose there's any special reason that you should, spend time with me, that is.

    FRANCOISE

    Of course there is: I like you, a lot.

    RICHARD

    And have you mentioned this to Etienne.

    FRANCOISE

    No. It's our secret.

    They are very close now, looking into each others' eyes.

    Suddenly Francoise looks away.

    FRANCOISE

    (continuing)

    There!

    RICHARD

    What?

    FRANCOISE

    Look! The plankton. Shrimps. In the dark, when they are disturbed, they glow.

    She dives in. He follows.

    UNDERWATER. NIGHT.

    Their faces, close together, are illuminated by the phosphorescent plankton.

  1. EXT. BEACH. NIGHT.

  2. They surface, kissing passionately.

  1. EXT. CLEARING. DAY.
  2. Under a shelter in the cooking area, the Chef walks up to two sacks of rice and slashes them open.

    He picks out two clumps of green, rotten mush and holds them out towards Sal who stands nearby.

  1. EXT. CLEARING. DAY
  2. The inhabitants of the community are sprawled around the area, generally facing towards Sal who addresses them. Francoise is sitting with Etienne but turns to acknowledge Richard with a smile at some stage.

    SAL

    Alright, I've got some bad news. As some of you may have heard, a couple of sacks of rice have gone rotten. Now this is not a disaster -

    VARIOUS

    Oh, no.

    SAL

    Yes, that's right: I need a volunteer to go to Ko Pha Ngan with me to buy some rice. So please don't all volunteer at once.

    There are no volunteers. Everyone avoids Sal's eye.

    SAL

    (continuing)

    Keaty?

    KEATY

    I went two months ago.

    SAL

    And so did I. Anyone else?

    Still no volunteers.

    SAL

    (continuing)

    Richard?

    Richard has been scrutinizing Francoise's back.

    RICHARD

    What?

    SAL

    What about you? Will you come to Ko Pha Ngan with me?

    RICHARD

    Sure. Yea. I'll come with you.

    SAL

    Great.

    She smiles at him.

  1. INT. LONGHOUSE. DAY
  2. Richard is sitting on his mat with a pencil and a piece of paper. A line of people wait to pass him some crumpled baht and their order.

    Their recitals overlap.

    MAN 1

    Toothbrush, toothpaste, sixty cigarettes, a new hat, some elastoplast, a pair of swimming trunks, four bars of chocolate and some razors.

    WOMAN 1

    One hundred aspirin, one hundred paracetamol, six boxes of regular tampons, toothpaste, soap and some shampoo.

    MAN 2

    Toothpaste, a ball of string, four double-A batteries, and twenty condoms. No, make it forty.

    WOMAN 2

    Six bars of chocolate, moisturizer, four boxes of tampons, assorted sixes, two bars of soap and some toothpaste.

    MAN 3

    One tin of beef curry.

    WOMAN 3

    A newspaper, some boiled sweets, shampoo and conditioner, two hundred cigarettes, a pair of plastic sandals, small, a new swimsuit, size ten, bright but no flowers, a plain T-shirt, a jar of Vegemite and three cigarette lighters.

    The last to sit down opposite Richard is Bugs. He sits close, their knees almost touching.

    Richard is posed with his pen, ready to take note.

    RICHARD

    Anything I can do for you?

    Bugs smiles.

    His right arm whips out and he grabs Richard by the testicles.

    Richard buckles forward in pain.

    BUGS

    Yeah. When you get to Ko Pha Ngan, keep your hands to yourself and your dick in your pants.

    He releases Richard.

    Preplexed and in pain Richard watches Bugs walk away.

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